It's not 3 A.M. nor am I Eminem, but I'm really diggin' this track. He sways away from his fucked up Arabic voice (kind of), and his lyrical content is much deeper than the shots taken at Sarah Palin and Lindsay Lohan that we found in the utterly pathetic, half-hearted track 'We Made You.' Although comical, 3 A.M. is clearly an address of his now-public drug problems as well as a big FUCK YOU to all who say Mathers is now incapable of creating a catchy song that doesn't scream "SELL OUT!!" I would love some feedback on this because I've only listened to this track like 4 times, but from what I can tell, Eminem is back and 3 A.M. is clear-cut evidence of that. Regardless of what you think of 36 year-old white rappers, if you're a rap fan you should take a listen because 2009 hip-hop will belong to Marshall before 3 A.M. on Relapse's release date, May 19th.
Thursday, April 23, 2009
SONG REVIEW: Eminem - "3 A.M."
It's not 3 A.M. nor am I Eminem, but I'm really diggin' this track. He sways away from his fucked up Arabic voice (kind of), and his lyrical content is much deeper than the shots taken at Sarah Palin and Lindsay Lohan that we found in the utterly pathetic, half-hearted track 'We Made You.' Although comical, 3 A.M. is clearly an address of his now-public drug problems as well as a big FUCK YOU to all who say Mathers is now incapable of creating a catchy song that doesn't scream "SELL OUT!!" I would love some feedback on this because I've only listened to this track like 4 times, but from what I can tell, Eminem is back and 3 A.M. is clear-cut evidence of that. Regardless of what you think of 36 year-old white rappers, if you're a rap fan you should take a listen because 2009 hip-hop will belong to Marshall before 3 A.M. on Relapse's release date, May 19th.
Thursday, April 16, 2009
SONG REVIEW: Lil' Wayne - "Yeahhh"
By Killian Gould "Yeahhh," is a newer Wayne song that has yet to make a mixtape. It features a rock beat much like many of Wayne's new songs, but rather than his auto-tuned whine "Yeahh," features three of Wayne's best verses this year. "Yeahh," should be a welcome relief for those fans of Wayne who are less than enthusiastic about Tha Carter III, Rebirth set to hit stores June 9th.
Wednesday, April 15, 2009
Asleep in the Bread Aisle -- One of the top 5 albums to change hip-hop?
Steve Rifkind, the music executive that launched the careers of Wu-Tang Clan, Mobb Deep, Big Pun and Three 6 Mafia, announced today that he believes Asher Roth's latest album, Asleep in the Bread Aisle is in the Top 5 albums that changed hip-hop. Sure, I enjoy a few of Asher's songs - more importantly, his freestyles - but top 5 albums to change hip-hop? I feel like I'm sort of obligated to take Rifkind's input to heart since his efforts introduced me to some of my favorite rappers of all time, but this seems like quite the statement. Regardless, Asher's new CD sure is generating a lot of buzz. I guess we'll all see what all the hype is about on 4/20 when Asleep finally drops in its entirety.
Steve Rifkind says Asher Roth Album TOP 5 EVER from Kush Robinson on Vimeo.
Tuesday, April 14, 2009
SONG REVIEW: The Roots "The Web"
By Killian GouldMonday, April 13, 2009
SONG REVIEW: Cassie ft. N.O.R.E. & Diddy - "Must Be Love" [RMX]
Cassie's hair isn't the only part of her that got a recent makeover in the last few days (peep the picture to the left). N.O.R.E. and Diddy put out a remix for "Must Be Love" today. N.O.R.E. talks about gettin' drunk, twitter, and Cassie's new haircut, but Diddy really rips it up here. Check out this new track. Thoughts on Cassie's new haircut?
SONG REVIEW: KiD CuDi feat Kanye West & Common, "Poke Her Face"
By Killian GouldKiD CuDi recently released a remixed version of "Poker Face," by Lady Gaga, his version, creatively entitled, "Poke Her Face," features mentors Kanye West and Common. All three verses exemplify the three emcees at their finest. Kanye and Common attack pop culture with lines like, "She blamed it on the a-a-alcohol she had her hair did it was bound to fall," and Kanye's, "I got seniority with the sororities, so that explain why I love college, gettin' brain in the library cause I love knowledge when you use your medula-oblongata." Don't underestimate KiD CuDi's verse either. "Poke Her Face," embodies a great Kanye produced remix of a horribly catchy song by one-hit wonder Lady Gaga.
SONG REVIEW: Fallout Boy Feat. Lil' Wayne, "America's Suitehearts"
By Killian GouldFREESTYLE REVIEW: The Game - "Red Rockin'" (Bishop Lamont diss)[FULL]
A few days ago I posted a snippet of a freestyle that was released by the Game, dissing Bishop Lamont and dropping a few more names. Now, with the full version on our hands, it's pretty clear that The Game is pissed off. Here's a little more auto-tune freestylin' for you if that last one wasn't enough.
Friday, April 10, 2009
SONG REVIEW: Asher Roth - "As I Em" ft. Chester French
Yesterday, the 1st verse of Asher's latest song leaked onto the internet and today RapRadar exclusively released the rest. "As I Em," an homage (of sorts) to Eminem, is a pretty smart move for Asher. All his haters lately have been saying he rips off Eminem too much and that he isn't unique, and Asher sort of accepts that here. He concedes that he was heavily influenced by Em, but assures listeners he's a whole new breed of Caucasian rapper. Asher Roth's first full-length is due 4/20 and is entitled Asleep in the Bread Aisle.
ALBUM REVIEW: B.o.B. - Who the Fuck is B.o.B.? [2009]

Prior to reading this post you may be asking yourself, "Who the Fuck is B.o.B.?" but I can assure you that after listening to his mixtape, conveniently named, Who the Fuck is B.o.B.? the questions will cease. B.o.B. also known by Bobby Ray Simmons is an up and coming hipster rapper from Atlanta. He recently signed with Grand Hustle Entertainment, owned by critically acclaimed rapper T.I. His first mixtape since the signing entertains the listener through B.o.B.'s constant challenges of today's famous rappers.
These challenges are seen immediately in the upbeat song, "I'm Dat Nigga," featuring a verse from T.I. and a verse from B.o.B. in which B.o.B. immediately disses his boss T.I. and implements his own swagger right from the beginning. The album combines a southern swagger similar to T.I. and Ludacris with the new hipster rapper intelligence of KiD CuDi and Wale. His songs on the mixtape take you on a journey through east-side Atlanta ("Generation Lost,""Eastside Tales," and "Atlanta Ga."). B.o.B. also features sampled songs from some of his influences, samples include; The Beatles with, "Lonely People," one of my personal favorites, as well as, "Use Ur Love," from The Police. His single "I'll be in the Sky," is already becoming radio famous in Georgia and some of the other southern states. drawing anticipation from fans for his debut album The Adventures of B.o.B. scheduled to debut this summer.
B.o.B. encompasses the excitement of the up and coming rappers and the new-school genre of rap that has been in the making since Kanye West and Lupe Fiasco hit the scene in 2005. B.o.B. says his influences include rock, rap, techno, 80's pop and funk, so expect many for tracks like these on his debut album. Look for B.o.B. and his counterparts: Wale, KiD CuDi, Charles Hamilton, and Drake to explode onto the scene with a bang late this summer with their debut albums. Until then, get your fix with the mixtape scene, and Who the Fuck is B.o.B.?
Download: B.o.B - Who the Fuck is B.o.B? [Mixtape]
B.o.B - "Use Ur Love"
SONG REVIEW: Method Man ft. D'angelo - "Break Ups 2 Make Ups"
Legendary Wu-Tang member Method Man and r&b favorite D'Angelo put out this little tune back in 2000 and I'm really digging it. Method Man certainly isn't my favorite member of the Wu, but I'll take what I can get. Method Man's distinct style is complimented nicely by a guitar and D'Angelo's voice on the hook.
SONG REVIEW: Kanye West "Arguments"
By Killian GouldSONG REVIEW: The Roots "Seed 2.0"
By Killian GouldAnother classic that I recently became obsessed with so I had to post it. "The Seed 2.0," off of The Roots third-album Phrenology, released in 2002, integrates the groups usual rock/rap with a catchy chorus and a real story behind their music (Not that this is a rarity for them). "The Seed 2.0," takes you on a journey into and through the birth of the group's hypothetical daughter and future rock star. I promise instant addiction.
SONG REVIEW: People Under the Stairs - "Acid Raindrops"
Another contributor to this blog, Jon Ingram, introduced me to this duo from LA and I can't believe I hadn't heard them before. This is one of those groups you feel like you've known forever, but in reality, it seems, they remain relatively unknown among hip-hop heads. "Acid Raindrops," my favorite track off of their album O.S.T. is a shining example of PUTS' influential and timeless lyrics and production. If you haven't heard this song, which you haven't, check it out immediately.
Thursday, April 9, 2009
SONG REVIEW: Q-Tip feat. Kanye West & Consequence "We Fight We Love" (Remix)
By Killian GouldFREESTYLE REVIEW: Kid Cudi & Asher Roth - "DJ ENUFF LIVE ON ALISTRADIO.NET"
Wow, I didn't know Asher Roth OR Kid Cudi could spit off the dome like this. Personally, this video makes me respect these two up and coming emcees a lot more. Sometimes you can't tell what's a freestyle and what's written, but in my opinion, Asher and Cudi are both spitting right off the top, and that's saying a lot for this particular session. Nobody stutters, and I have a sneaking suspicion they enjoyed smoking a special green substance minutes before the video was shot. I'm looking forward to future collaborations between the two.
FREESTYLE REVIEW: The Game - "Blood Respect" (Bishop Lamont diss)
Another punch has been thrown in the (irrelevant) feud between rapper Bishop Lamont and The Game. Rumors say that this feud started with The Game's somewhat-classic "100 Bars,"a few years ago and this snippet is sort of in the same vain. The Game also mentions our favorite sizzurp addict Lil' Wayne in the track. Oh yeah, and the whole thing is in auto-tune. Hey, Mr. Game, never use auto-tune again, it sounds awful.
SONG REVIEW: Eminem - "Rock Bottom"
Yeah, I know. The Slim Shady LP came out 10 years ago. But screw it, I'm still obsessed. "Rock Bottom," I've recently decided, is my favorite song on the album. Classic Dre production and an angry Marshall are all components to a classic Em track, but "Rock Bottom" was produced by the Bass Brothers for FBT Productions. Regardless, this song is absolutely rock solid and deserves many listens. My favorite line is actually the beginning line of the song: "I feel like I'm walking a tight rope/without a circus net/I'm popping percocets/I'm a nervous wreck." Listen to it below!
SONG REVIEW: Lil' Wayne - "Prom Queen" (Russ Castella Remix)

By Killian Gould
ALBUM REVIEW: Dj Signify - Of Cities
By Tom Carbone
Today, the music industry isn't seeing many releases out of underground instrumental hip-hop. Good producers are typically collaborating with emcees so much they don't have enough time to produce and release their own solo album.
DJ Signify, a Brooklyn-based DJ and producer, specializes in a breed of glitchy instrumental hip-hop not seen anywhere else underground right now. His 2004 release, No More Sleep, featured prominent underground emcees like Buck 65 and Sage Francis, and this year's effort entitled Of Cities continues this pattern with more notable guests such as Aesop Rock and Matt Kelly. In these last five years, DJ Signify has really refined his sound and Of Cities is his best release to date.
The first sign that DJ Signify's gloomy sound hasn't left since 2004 is the very first track, appropriately titled "The Sickness." The song starts out with a heavily fuzzed-out bass and drum sample, and slowly progresses into a track more complex and industrial than expected. This first track really sets the tone for the rest of the record, as Of Cities continues this trend of a gloomy ambience throughout.
Vocals are first heard on the following track, "Low Tide," which features Definitive Jux legend Aesop Rock. Aesop's style of delivery and lyrical content compliment DJ Signify's production very nicely, and it feels and sounds like the two have been working together for years before this cut. Between Aesop's whistles and flawless flow, he asks the listener, "How low is your lowest low tide?" As mentioned earlier, Aesop's almost brash delivery feels right at home with Signify's fuzzy lo-fi production.
Clearly evident in these first two gritty tracks, this record is essential listening for a lonely, winter drive in the middle of the night. Between the spooky beats and the even spookier lyrical delivery by the guests on the record, Of Cities definitely has a place and time to be listened to. While newcomers to DJ Signify might not be immediately drawn in, a few spins of the record may change their mind. Of Cities is definitely one of those albums that is a grower and should not be dismissed right away.
Between the full tracks on the album comes a handful of "Interludes" that split the album up quite nicely. Most of them combine some static noise and sampled drum beats, but these minute-long clips let Of Cities flow in a much smoother way. These interludes are similar to skits, commonplace on modern-day rap albums.
While this release will most certainly not garner much widespread attention, it is definitely an important release in the instrumental hip-hop scene. DJ Signify has revolutionized the way producers combine their hip-hop influences with industrial and new wave elements with Of Cities. This year probably will not see very many releases in this genre, which bodes well for DJ Signify. Of Cities takes a very unique approach to production that will make it unforgettable for hip-hop heads and fans of instrumental soundscapes alike.
ALBUM REVIEW: Drake - So Far Gone

By Jon Ingram
Young Money Entertainment, Lil Wayne's record label, doesn't seem to be satisfied with just one multi-platinum artist. Since the evolution of Wayne into an international superstar, the label has been pushing the growth of several other rappers signed to the label in hopes that they will achieve their own level of success. Their development has been predominantly showcased on the plethora of tracks and mix tapes released by Lil Wayne, where they have had the opportunity to rap alongside one of music's biggest star. But recently, the self-proclaimed 'Martian' seems to be focusing his attention on Canadian-born Drake, a Young Money-signee who has just released the most phenomenal mix tape of the past year.
Listeners may recognize Drake as the character Jimmy Brooks on television program Degrassi, but soon he will be known as much more than a supporting character on a teen drama. His third Young Money debut mix tape, So Far Gone, has just dropped, and quite frankly, it's worth way more than a listen.
It's hard to know where to begin when speaking about this mix tape. Perhaps it is because less than half of So Far Gone is actually rap (the rest combines a silky smooth combination of R&B and Pop beats with soothing vocals from the likes of Trey Songz and Peter Bjorn & John), or perhaps it is because it is hard to believe a mix tape of this quality was not released as an actual album. What Drake and the producers of So Far Gone have done, perhaps unintentionally, but probably not, was create an almost entirely different genre of music.
A perfect example to showcase the difference in style between Drake and the rest of the hip-hop world is the song entitled "Successful," which features Lil Wayne and Trey Songz. The eerie, piercing beat combines the constant droning of an organ and the death-like chant of a medieval choir to make a truly epic creation. The slow mood of this track allows Drake to recite three poetic-sounding verses about his yearn for eventual success in life and also paves the way for a surprise ending verse by Weezy himself, who, as always, fails to disappoint with his effortless flow and his unmistakable croak.
Although there is no sound like Drake in the entire rap game, it is fairly easy to tell that So Far Gone was influenced by Young Money. The majority of rap in the South (where Young Money is headquartered) features the slow-moving and relaxed attitude that comes with the South's famous Sizzurp, a narcotic cocktail of Promethazine/Codeine cough syrup and soda that Lil Wayne is never without. This mixtape definitely has that definite mellow feel to it, and although Drake is from Canada, it is easy to distinguish this sound as Southern hip-hop.
While there is never a guarantee about "the next star" in music, Drake definitely has the makings to hit mainstream. His sound is undeniably unique, his lyrics are ridiculously clever, and, perhaps above all else, he is teamed-up with the one and only Lil Wayne, which guarantees a certain level of exposure in itself. For a mix tape, So Far Gone is pure genius, and if it is any indication of his upcoming album, in due time, he will be one of the biggest stars in rap. It's common for music reviewers to recommend an album that they review, but So Far Gone has the potential to be the beginning chapter to the story of a true rap legend.